The water retains the invisible, the fluid transpires emotions, memories, thoughts, vibrations of thoughts. The translation through software functions as a parasite, it fuels, nourishes and transforms. What I am showing is a process of undoing, expectations are left for impulses, creative flow, remembrance, presence, downloads.

Pulsating parralels is a process of undoing, it is about creating, it is about collecting, but it is mostly about trying to catch what is invisible, what is intangible, what flows, there is a lot of pleasure in here, the pleasure of finding colors that match, finding composition that tingle my senses and hopefully yours. The ritualistic quality of this process is important to me, it’s an invitation to reflect, to stand still, to breath, everyday. It’s never perfect, but it’s always real.

Pulsating Parallels

SInce the first of January 2025 I embarked on a daily ritual of working with ebru (a traditional turkish marbling art) With each new moon, I prepare a fresh Ebru bath—a ritual that sets the tone for new explorations.

Each print are unique, they are made on aquarelle paper of 300 grams.
Their dimensions are variable mostly 22 x 33 centimetres.

Cycles of creation

Digital Currents

Parallel to the act of working with the scans resulting from the ebru prints, software permitted me to uncover traces that were invisible to the eye. This mesmerising effect invited a new series of work of digital prints. Their dimension are variable, mostly 70x 90 cm printed on